Wednesday, October 04, 2006

What to do when you have a craving for Chinese food at 3 am


The other day I was talking to a friend on msn, and weirdly enough, we were discussing friendship, and I said: “...that's the whole point of a friend: they stand by your side, they support/defend you...”


Then I watched Lage Raho Munnabhai (Keep at it, Munnabhai) and I realized that I was just so wrong. Friendship is about more than just caring and support; true friendship means kidnapping a Chinese cook from a hotel when your friend has a hankering for Chinese food.


See, Munna (Sanjay Dutt), a local goon, is apologizing to his best friend/ lieutenant, Circuit (Arshad Warsi), for hitting him: “I have to apologize to you. I haven’t slept half the night; all these old memories were whirling in my head. Remember when I was shot in the belly? I couldn’t sleep, and I told you I missed mother? You put my head on your lap and sang me lullabies. And then I raised my hand to you? ... Remember that time I told you I wanted to eat Chinese food at 3 am? You went and kidnapped the Chinese cook from that 5 star hotel. (pause) What delicious Hakka noodles those were, no?”


None of my friends have ever offered to kidnap a chinese cook when I want Chinese. Nooo, they insist on going to a restaurant and paying for the food.


*sulk*


Jokes aside, Lage Raho Munnabhai is one of the funniest and most heartfelt movies to come out of Bollywood in the past few years. Rang de Basanti had the message, but not the humour, and Sanjay Dutt’s befuddled Munna is eminently more relatable than Aamir Khan’s angry DJ. It has the same basic message as Anupam Kher’s Maine Gandhi Ko Nahin Mara – ie, that it is more important to keep Gandhian values in our hearts than to erect statues and memorials – but unlike the latter movie, LRM is neither a lecture nor a guilt-trip. MGKNM, while wonderfully acted, had an undeniably moral-science-lesson feel to it. LRM, on the other hand, has characters whose very fallibility endears them to us. When Munna is slapped once, he turns the other cheek, because Bapu said so. But when the other cheek is slapped, he dishooms the slapper, because, after all, Gandhiji never said what to do when both cheeks were slapped, right? As Munna might have put it: apun tere ko bolta hai ki ye ekdum mast picture hai.


Plus LRM has this guy in a cameo role. There was much screaming chez Sharon when he showed up. (Screencaps by Maja, who will henceforth be referred to as the BEST. SCREENCAPPER. EVER.)


PS - If you do watch it, or have already watched it, and Hindi is not a language with which you’re that familiar, I’m wondering whether the subtitles do a good job of differentiating between Munna and Circuit’s tapori-speak and every one else’s standard Bombay Hindi. I’m just curious if they caught that distinction, because a lot of the funny came from that.



7 comments:

Maja said...

Teehee, I'm very pleased about my new title :D Here's another pic just for you! I love making screencaps, especially if the movie stars AB, I have the hugest crush on him *blush*
I usually complain about not knowing any other people who'd want to watch Bollywood movies with me, but during Kuch Naa Kaho I was very happy that I was watching it alone - I paused, rewound, giggled and squealed out loud so many times that it would've been really embarrassing if there were other people in the room!


Yay for LRM, I just loved it, it made me feel so happy and all warm and fuzzy inside. And yeah, there was that (sadly all too brief) special appearance :D Fantastic movie!
I can't speak Hindi, so I have to rely on the subtitles. I don't remember them any more for this movie but I don't think there was much difference between Munna/Circuit and other people, so I don't think they did the tapori slang justice, no :(

Beth Loves Bollywood said...

We screamed for him too. Has to happen. Good thing he makes so many cameos, eh?

As for the Hindi - I think so. I base this assessment on the fact that there were no occasions on which the almost-entirely Indian audience was laughing harder than I thought the subtitles merited. When I see Bollywood in the theater, I can tell I'm missing things - either word play or really contextual jokes - when I don't want to laugh but everyone else does. And that didn't happen here. If memory served, they made Munna and Circuit sound pretty thug-y. Although maybe I'm just projecting based on Arshad Warshi's vocal stylings, which were hilarious.

Side note: I am seriously missing Toronto right now. Maybe if I think really hard about a boy I like, then start to sing, I can song-teleport there?

Inder said...

i missed LRM. it was screened in amsterdam and rotterdam, not in the hague. :(
and i don't want to watch it in some shady site. big movies ought to be watched on big screens... may be i'll watch it when i go back to india.

Sharon said...

Maja: more screencap love? awesome! And I can't wait for Dhoom 2 and Umrao Jaan - more AB awesomeness! :D

Beth: I watched it off a bootleg with really bad subtitles (ie - they kept mistranslating 'manglik' as 'stating my demands' instead of 'inauspicious' or 'affected by Mars') so I was wondering abt the quality of the official subtitles. And why not come find the guy? I always thought you were somewhere in the midwest, so that can't be too far away?

inder: aw, man, that sucks. you know what, though, i watched it off a bootleg version that was pretty good except for the subtitles. I've heard the most awful stories about Desi Cinemas here - ppl talking through the picture etc - and so I usually just wait for the DVD/video. How soon are you going back to India though?

Inder said...

january, i think... i think it is a bit too late, but if i am lucky, i may end up watching a re-run in some movie-hall. it is tougher as hindi movies are rarely re-run in madras or pondicherry. but, as it is 'the LRM', i shall keep my fingers crossed :D

--Sunrise-- said...

LOL!

When Munna is slapped once, he turns the other cheek, because Bapu said so. But when the other cheek is slapped, he dishooms the slapper, because, after all, Gandhiji never said what to do when both cheeks were slapped, right? As Munna might have put it: apun tere ko bolta hai ki ye ekdum mast picture hai.

I was laughing out loud when I read this...

I love the way the movie is so realistic, and stays true to its characters. Because that sounds exactly like something Munna would have done... and I guess that is what makes the audience empathise with the movie more... it is more realistic. And not preachy.

RDB may have (roughly) the same theme as LRM, but I don't think it is fair to compare the two, since their purposes were both different, na? (lol, sorry. i just had to add the 'na' bit in... :D) RDB was MEANT to be a more serious movie than LRM wanted to be. And hey, who said anything about RDB not having comedy in it? There were times when I was roaring with laughter... "we r pissing on the present" thing, Sukhi thing... lots of funny things in RDB too!

I am so glad they chose RDB for the Oscars... and I'm equally glad they chose to send LRM as an independent movie to the Oscars... now we shall have to wait and see what happens!

Sharon said...

inder: aw, that sucks. but yeah, hopefully the movie's enough of a hit that it gets re-run.

sunrise: yup, LRM and RDB are apples and oranges - but I did *enjoy* LRM a bit more than RDB. RDB is probably a better, more oscar-worthy movie - but personally, they ought to have sent Omkara, which just rocked my socks off. :D